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Channel: Producer Profile – Page 22 – SonicScoop
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Master Plan: Joe Lambert Mastering – Jersey City, NJ

Making a move is something Joe Lambert knows how to do – in more ways than one. Lambert went solo in 2008, after a decade plus of mastering at bigger NYC houses. Hanging out his own shingle as Joe...

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Music House Moves: Elias Arts Announces Executive Changes in NYC & LA

Bring fourth the personnel changes at Elias Arts. L-R: The updated LA team at Elias Arts includes Production Coordinator Allee Futterer, Executive Producer Vicki Ordeshook and Head of Production Katie...

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Cakewalk Launches “Braintree,” First Major Release from SONAR Membership Program

The SONAR Membership Program from Cakewalk was announced earlier this year, putting an end to “versions,” and allowing users to receive all SONAR DAW enhancements and content as they become available....

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Review: Universal Audio UAD-2 Satellite Thunderbolt OCTO

Plugins: They are commonplace and nearly mandatory in today’s studios and workspaces, and for some, have entirely replaced hardware processors. There is now even an entire generation of audio fiends...

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Stam Audio Announces SA-2A Leveling Amplifier

Give a warm welcome to the SA-2A Opto Compressor, coming straight out of Chile and Stam Audio. This South American beauty claims to be a faithful reproduction of the classic 1968 Teletronix LA-2A...

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Vocal Focus: Peppina —‘Follow Your Gravity’

Producing the debut EP for an artist means pulling double duty: You don’t just want them to be heard – you want them to be discovered. Finnish artist Peppina came to NYC to record her debut EP “Follow...

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Eplex7 DSP Releases Bassblaster VST Plug-In

Although this is the first we’re seeing Eplex7 here at SonicScoop, we’re sure it won’t be the last. Their new plugin Bassblaster is a niche VST that generates low frequency after-effects on each signal...

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NYC Event: Audio Power Tools Open House – Brooklyn, 3/26

Eye candy, ear candy, and refreshments for your bod + brain – if this isn’t the perfect evening, what is? Let us beseech ye no more, and point directly to the answer: The Audio Power Tools Open House...

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Is SXSW Worth It for Musicians? A Photo Tour of Austin’s Biggest Music Festival

Is a trip to the annual South by Southwest festival worthwhile for musicians? Judging by the fact that over 2,000 official acts, representing 53 countries, played in over 111 Austin venues this past...

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iZotope Releases Ozone 6.1 Update – Tube Limiting, Adaptive Release for...

Ozone 6 from iZotope was launched back in October, 2014 and now officially has its first patch. Many of the feature updates for Ozone 6.1 were a result of customer feedback so users should be pleased...

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Plug & Mix Releases Chainer – VST Chaining Wrapper

Plug & Mix proudly offers dozens of effects pedal VSTs that can be combined to create a wealth of signal chains. With the introduction of Chainer, users of the P&M plug-ins can now save their...

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Brooklyn Audio Post Bravado: Fall On Your Sword Unveils The Foundry — 7.1...

Audio post in Brooklyn is not news anymore. Owing to the larger spaces available and the convenience, an ever-growing contingent of filmmakers and media producers want to mix sound in their borough of...

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PSP Releases MasterQ2 – Successor to Their Original MasterQ Mastering EQ Plug-In

The original MasterQ from PSP Audioware has been around the block. Their customers loved it so much that they decided to make it even better. Bigger, stronger, Q-er. MasterQ2 is a mastering EQ plug-in...

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The Case for Digital Wireless Microphones

This is a guest post by Alex Milne of RF Venue. Digital wireless microphones sometimes get a bad rap. Early models, especially those operating in the 2.4 GHz band, did not sound as good as analog and...

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iZ Releases Radar Studio – Native PC + Audio Interface + More

Announced back at AES 2014 and demoed to much acclaim at NAMM earlier this year, iZ is ready to release their Radar Studio into the wild. The PC, audio Interface, and DAW combo aims to be the...

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Line 6 Now Shipping Firehawk FX – Wireless Multi-Effect Guitar Processor

If a wire is good, then wireless must be better. That’s been the prevailing fact in all the other tech we touch, so why shouldn’t it apply to our guitar (and synth) effects? Line 6 agrees...

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Back to Basics: How to Improve Gain Staging In Your DAW (Video)

Gain Staging is an important part of dealing with audio when recording and mixing. In this tutorial, I’ll go through some of the issues that are big red flags. If you’re needing some help with gain...

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Brooklyn Event: Meet API’s BOX Console at Strange Weather — Thursday, 4/9

API is all about New York City this week. API’s BOX takes over NYC this Thursday, at a free-to-attend Open House in Brooklyn. Don’t miss the opportunity to get up close and personal with API’s BOX...

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Recreating Bird: Returning to Detroit’s Legendary “United Sound Systems”...

A lot has changed in the recording industry since the 1940’s. The road from acetate masters to digital streaming has been a long one, and there are still music critics who feel that it is simply...

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Review: Steinberg’s Cubase Pro 8 – By Andrew Koss

Presented with the opportunity to write a review about a DAW, my initial reaction was, “How can anyone cover an entire DAW in a single article?” Cubase Pro 8 is the latest version of Steinberg’s...

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